Pom pom pom pom
Wednesday
11.02.2026
19:30 — Victoria Hall, Geneva
Patron
Artistic partner
Thursday
12.02.2026
20:15 — Théâtre de Beaulieu, Lausanne
Great Patron
Great Patron
Artistic partner
Programme
Eun Sun Kimconductor
Frank Peter Zimmermannviolin
Felix Mendelssohn
The Hebrides, Overture in B minor, Op. 26
Frank Martin
Concerto for violin and orchestra
Intermission
Ludwig van Beethoven
Symphony No. 5 in C minor, Op. 67
Approximately 1h40 including a 20-minute intermission
The music
The Hebrides Overture (or Fingal’s Cave) is a kind of miracle of melodic invention and subtle evocation of nature that vibrates everywhere. As is often the case, Mendelssohn seems touched by grace in this sensitive evocation that stirs the soul. We find this almost Shakespearean climate at the beginning of the Concerto for violin and orchestra that the Genevan composer Frank Martin wrote just after his Cinq Chants d’Ariel (Five Songs of Ariel) based on The Tempest by the English playwright. The entire atmosphere of the work seems to be imbued with this magical climate “as if I had remained somewhat bewitched by the charms of Prospero’s island,” wrote Frank Martin.
Beethoven also idolized Shakespeare, whose complete works he possessed and whom he often quoted in his conversations. The power of the word of one has often been compared to the musical strength of the other, and Symphony No. 5 in C minor is one of the most striking illustrations. Pom, pom pom, pom….