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Chamber Music 1



11:00 — Conservatoire de musique de Genève

Series Chamber music

Chambre music


Rosnei Tuon
Eleonora Ryndina

Verena Schweizer

Olivier Morel

Loïc Schneider

Valerio Lisci

Jacques Ibert
Trio for violin, cello, and harp

Ludwig van Beethoven
Quartet No. 4 in C minor Op. 18, No. 4

Heitor Villa-Lobos
Quinteto Instrumental for harp, flute, violin, viola and cello

the music

Very popular in the 18th century, the harp also inspired composers of the last century who often associated it with strings. As for Beethoven, he used it only once, reserving a magnificent solo for it in his ballet The Creatures of Prometheus. Jacques Ibert wrote his Trio for violin, cello and harp following an exchange of cigarettes (very rare in France in 1944) with his daughter, an excellent harpist. It represents a welcome oasis of peace in this time of noise and fury. With an extraordinary and anachronistic prolixity, the Brazilian composer Heitor Villa-Lobos, a great friend of France where he studied and where he often stayed, wrote for all sorts of rare instrumental combinations, such as this splendid Instrumental Quintet. The latter was composed in 1957 in a style that owes nothing to folklore and everything to the French spirit that he loved so much. Es ist Dreck! [it's dirt] Beethoven said of his String Quartet. Unfair and unfriendly judgment for a work in which the young composer is on the contrary in full control of his first way.

OSR Live

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Yvonne Naef


György Ligeti
Poème symphonique, pour cent métronomes

Johann Sebastian Bach
Komm süsser Tod (orchestration by Leopold Stokowski)

Gustav Mahler
Kindertotenlieder, for mezzo-soprano and orchestra

Recorded on 21 January 2021 at Victoria Hall, Geneva

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Maurice Ravel


Jonathan Nott


Recorded on 15 November 2017 at Victoria Hall, Geneva