Il viaggio a Reims
Opera by Gioachino Rossini
Saturday
06.02.2027
19:30 — Victoria Hall, Geneva
Artistic Partner
Sunday
14.02.2027
15:00 — Victoria Hall, Geneva
Artistic Partner
Programme
l viaggio a Reims
Opera by Gioachino Rossini
Libretto by Luigi Balocchi
Based on the novel Corinne ou l’Italie by Germaine de Staël
First performed June 19 1825 at the Théâtre-Italien de Paris
Premiere at the Grand Théâtre de Genève
New production
Sung in italian with french and english surtitles
Duration: 2h45 with one intermission
Recommended for ages 1o and up
CAST
Musical Director Jader Bignamini
Stage Designer et costumes Laurent Pelly
Scenographer Massimo Troncanetti
Lighting Designer Marco Giusti
Choir Director Mark Biggins
Corinna Melissa Petit
Madame Cortese Salome Jicia
The Countess of Folleville Sabine Devieilhe
The Marquise Melibea Teresa Iervolino
The Count of Libenskof Maxim Mironov
The Knight Belfiore Jack Swanson
Lord Sidney Michael Mofidian
Don Alvaro Georgiy Derbas-Richter
The Baron de Trombonok Michele Govi
Don Profondo Nicola Alaimo
Don Prudenzio Jared Mac Werlein
Maddalena Varduhi Khachatryan
Modestina Magali Duceau-Berly
Don Luigino Rémi Garin
Gelsomino / Zefirino José Pazos
Antonio Rodrigo Garcia
Delia Fanny Soyer
Grand Théâtre de Genève Chorus
Orchestre de la Suisse Romande
The music
On the eve of the coronation of Charles X in Reims, a bunch of European aristos stop for the night at an inn which becomes the stage of their amorous antics. The Comtesse de Folleville is distraught by the loss of her entire wardrobe whilst her lover Cavalier Belfiore is chatting up the poetess Corinna, herself the secret flame of Lord Sydney and in the background Don Alvaro and Count von Libenskof are at odds over the attentions of the pretty marquise Melibea. But an unexpected event disrupts their plans and the Coronation partygoers have to celebrate France’s new king right where they are.
As soon as he had made Paris his home, Rossini felt inspired by a Madame de Staël novel and composed an opera buffa for the coronation festivities of Charles X in 1825. It was a one-off, showcasing some of the greatest solo voices of the time. And then Il viaggio a Reims was taken off the stage, Rossini recycling some of its materials in Le Comte Ory. The score was pieced back together in the 1980s, revealing a brilliant work that plays with all the operatic codes, directed by the playful hand of Laurent Pelly and conducted by Jader Bignamini.

