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Fireworks !



19:30 — Victoria Hall

series S




20:00 — Auditorium de l'Orchestre National de Lyon



Jonathan Nott

Steven Isserlis

Olivier Latry

Igor Stravinski

Feu d'artifice (Fireworks), fantaisie pour grand orchestre op. 4

Robert Schumann

Concerto for cello and orchestra in A minor op. 129

Maurice Ravel

Alborada del Gracioso, for orchestra

Pascal Dusapin

Waves, duo pour orgue et orchestre (Swiss Première)

(Commissioned by the Elbphilharmonie Hamburg, Montréal Symphony Orchestra, de La Monnaie / De Munt, Radio France and the Philharmonie de Paris, and the Orchestre de la Suisse Romande)

the music

Three artists surround the loving, tormented romantic that was Robert Schumann. His Cello Concerto is a kind of great lyrical poem that gives the cello voluptuous and intoxicating melodic swirls. No one has better understood the intimate character and expressive possibilities of this instrument, which here dialogues with the orchestra with a chamber music spirit.

What a contrast to the Feu d'artifice from a very young Stravinsky, his composition still illuminated by the scintillating orchestration of his teacher-mentor, Rimsky-Korsakov.

Like an etching by Callot, this Alborada del gracioso (The Jester's Aubade*) is a charged and tasty portrait of an old beau courting a proud Señora. It allows Ravel to display his sense of orchestration and grating irony.

Pascal Dusapin's first idea was to write an opera based on Virginia Woolf's novel Waves, and then he thought of a dialogue between the organ and the orchestra. An international commission, Waves premiered in Hamburg on 26 January 2020 and is, according to the composer, a creation of "surface movements" and a true "technique of forms".

* An aubade is a morning love song or a song of lovers separating at dawn (as opposed to a serenade, performed in the evening)

OSR Live

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Maurice Ravel


Jonathan Nott


Recorded on 15 November 2017 at Victoria Hall, Geneva

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Ludwig van Beethoven

Symphony N°9 with choir for the finale of « Ode to Joy»

Jonathan Nott


Recorded on 11 June 2020 at Victoria Hall, Geneva